How award-winning landscape artists The Smith Brothers of Chichester influenced the art world

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George Smith and his two brothers John and William Jnr were an extraordinary family of artists, who became known as The Smith Brothers of Chichester.

They were the sons of William Smith, a cooper (maker of wooden casks, barrels, buckets, etc.) and later a baker, and his wife Elizabeth Spencer, a Horsham butcher’s daughter. The couple married at West Chiltington in 1705.

The oldest of the three boys, William Jnr, was born in 1707, followed by George in 1714 and John in 1717. As well as the three boys, William and Elizabeth also had two daughters, Elizabeth and Sarah.

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William Jnr was a portrait painter but also painted still life. The 2nd Duke of Richmond, impressed by his abilities, enabled William to study with a portrait painter in St Martin’s Lane, London.

An engraving of Chichester dated 1767 by George and John Smith. Picture: The Novium MuseumAn engraving of Chichester dated 1767 by George and John Smith. Picture: The Novium Museum
An engraving of Chichester dated 1767 by George and John Smith. Picture: The Novium Museum
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William remained in the capital for around five years, working in a studio in Princes Street, Leicester Fields, and was joined at some point by his younger brother George. William was subsequently invited to Gloucester, not as a portrait painter but having received a commission to paint an altarpiece for the private chapel of Sir John Guise at Elmore Court.

An engraving of Chichester by Night dated 1767 by George and John Smith. Picture: The Novium MuseumAn engraving of Chichester by Night dated 1767 by George and John Smith. Picture: The Novium Museum
An engraving of Chichester by Night dated 1767 by George and John Smith. Picture: The Novium Museum

Sadly, the chapel and William’s commission did not survive. William spent eight or nine years in Gloucester as a portrait painter before returning to London, establishing himself in a studio in Piccadilly.

Here, he extended his work to include flower and fruit painting. In later years, William retired to a house at Shopwhyke, Chichester, where he died in 1764, aged 57.

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Of the three, it was the middle brother George who gained most notoriety. George was originally apprenticed to one of his uncles to learn the trade of a cooper, however the industry wasn’t for him, and George instead joined his brother William in London as a student, later moving with him to Gloucester. too.

George struggled in his early career as a portrait painter and it wasn’t until he returned to Chichester that his work as a landscape painter was recognised by the Duke of Richmond, who employed George to paint landscape paintings for him.

In the early 1740s, George set up a studio in London with his brother William. Despite living in London, the brothers frequently visited and painted various Sussex locations and the area around Chichester remained the inspiration for many of their works.

Later, from around 1750, George and his younger brother John shared a studio in North Street, Chichester. John was similarly a landscape painter, however was generally of less robust health than his brothers. In later life, he needed much help from George and there was evidently a strong bond between the two, occasionally collaborating on the paintings together.

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Between 1760 and 1764, the brothers exhibited their paintings at the Society of Arts. George won the coveted premium Society of Artists award for landscape painting on three occasions, 1760, 1761 and 1763.

John won the second premium in 1761 and premium in 1762. In a review of the second Society of Artists exhibition, the quality of the Smith brothers’ work was commended: “The superiority of the Smiths as landscape-painters is so incontestable visible to those who have the least judgement in painting, or in natu